Saturday, August 7, 2010

Western Polyptych

I. Weeping wall

Tearstain on a western hillside,

the carbonized imprint

of a Jurassic willow.



II. Outside Salt Lake City

Riddled with holes,

some towering red Swiss cheese

with little patches of scrubby mold here and there

Give me a knife to scrape the sky

and I’ll carve you off a slice.



III. Distant lakes

Rorschach lakes crawl

across stone sky-fields

like shadows on the surface of the moon.



IV. Lichen at High Altitude

Undifferentiated grey mass resolves itself

into rectangles, rhomboids,

a hundred million polygonal forms

all hard-edged and grainy-faced

Green patch in a sea of slate,

oasis opening onto infinity,

waving semaphore arms

Is there anybody out there?



V. The world is quiet here

The world is quiet here

Clouds so close you can snatch

handfuls of candy floss

and devour them greedily,

a famished Ming soldier on the Long Wall

The world is quiet here,

save the buzzing of a persistent fly

What brings him to this place?—

errands from worlds below

or an accidental updraft,

vaulted into the dome of heaven.



VI. Heathaze

A black river with green banks

bisects a sea of white salt

Heathaze holds up the promise of sanctuary,

vanishes like a dream half-remembered

and then forgotten

in the space between sleeping and waking.



VII. Iris

Blue pupil amidst a green iris

Granitic carunculae

A million points of light coalesce into

one twinkle in your eye,

shining at the prospect of a bath

or something less savory.



VIII. Condemned (Sutter Buttes)

Subterranean wrecking ball

razes to the foundations

Icelandic turf house in the blazing heat

The mind can fill in the missing lines,

bay windows and high gables

Now just two bony jaws,

open just wide enough

to swallow the sun.



August 2010

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